Clea von Döhren combines her studious information of Modernist paperwork with visionary thematics determinedonlyby using reflexively turning one’s eye inward towards the subjective origins of private expression. working in a vein similar tothe all-over paintingtechnique pioneered throughabstract Expressionism, von Döhren’s works enlarge upon American-typeportraythroughaddinginfluences derived from German Expressionism. amongdifferent inspirations, she additionally notes Emil Schumacher, Pierre Soulages, Georgia O’Keeffe, and Jeff Koons.
but von Döhren’s works have a compositional uniqueness all her very own, stemming in element from the wayin whichshe mixes warmcolorations with cooler ones. within theportray titled Altai, abstraction and figuration mingle to make the pictureendorse the dimensional outlines of a panorama. some thing allusions the portraymight make to the worldout of doors it, the substance of the photograph it portrays hinges on a subjectively experienced phenomenon. The viewer’s eye can freely take in thepainting as he or she likes, because the spatial determinateness of up as opposed to down, or left versusright, is affixed to a dream-like aircraft of colourful ambiguities.
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